Inspired by Giorgio Agamben’s concept of bare life, this project explores how the law excludes stateless individuals in the name of order. Using bird spikes and pigeon droppings, the installations draw parallels between pigeons and the stateless—both unwanted, denied access to public space, yet persistently present. Here, pigeon droppings are not negative, but symbolic—traces of unwanted, unseen others whose presence is felt even in their absence.